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This analysis shows high accuracy in reconstructing music from brain activity in diverse genres, suggesting advancements in brain-computer interfaces.
Reconstructing music directly from brain activity provides insight into the neural representations underlying auditory processing and paves the way for future brain-computer interfaces. We introduce a fully data-driven pipeline that combines cross-subject functional alignment with bayesian decoding in the latent space of a diffusion-based audio generator. Functional alignment projects individual fMRI responses onto a shared representational manifold, increasing the performance of cross-participant accuracy with respect to anatomically normalized baselines. A bayesian search over latent trajectories then selects the most plausible waveform candidate, stabilizing reconstructions against neural noise. Crucially, we bridge CLAP's multi-modal embeddings to music-domain latents through a dedicated aligner, eliminating the need for hand-crafted captions and preserving the intrinsic structure of musical features. Evaluated on ten diverse genres, the model achieves a cross-subject-averaged identification accuracy of [Formula: see text], and produces audio that human listeners recognize above chance in 85.7% of trials. Voxel-wise analyses locate the predictive signal within a bilateral circuit spanning early auditory, inferior-frontal, and premotor cortices, consistent with hierarchical and sensorimotor theories of music perception. The framework establishes a principled bridge between generative audio models and cognitive neuroscience.
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Ciferri et al. (2025) studied this question.
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