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Analysis reveals Falling Angels critiques postfeminist views on feminism's goals in its portrayal of the suffragette movement.
This article examines Tracy Chevalier’s neo-Edwardian novel Falling Angels (2001) and its portrayal of the suffragette movement, focusing on its revision of traditional suffragette conversion narratives. I explore the heroine’s progression, proposing that Falling Angels engages with these narratives to resonate with contemporary feminist concerns. The protagonist’s evolution and death are interpreted as a critique of postfeminist discourses and call for the continuation of feminism. I analyze Falling Angels as a textual mourning of the feminist past and as a fictional challenge to the postfeminist view that feminism’s goals have been accomplished and the movement obsolete, arguing that the novel memorializes the suffrage movement’s revolutionary spirit.
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