The article reveals insights on meditation and aesthetics in classical Daoism, suggesting deeper engagement with material culture and spatiality.
The present article explores Daoist effortless meditation with particular attention to its association with the inner cultivation lineages of classical Daoism (ca. 350–ca. 90 BCE). In addition to discussing the technical specifics of the practice, including its intimate connection to wúwéi 無為 (lit., ‘without acting/doing’; non-action/effortlessness), consideration is given to related contemplative states and traits. The article also encourages readers and researchers to examine contemplative practice in general and meditation in particular beyond mere technique. Here one engages the associated aesthetics, material culture, place, spatiality, and so forth. The piece concludes with some reflections from a lived/living Daoist perspective.
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Louis Komjathy (2025) studied this question.
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