Abstract This article discusses the official discourse that appeared in Macau’s Portuguese-language media and the documentaries that were shot there by Portuguese filmmakers in the 1960s and 1970s, especially focusing on the productions that followed the 123 Incident and which largely functioned as a response to it. These riots occurred in December 1966, when Chinese residents of Macau used Cultural Revolution-like protests to contest what they viewed as an inefficient and unfair Portuguese administration. They had a long-lasting and deep impact, weakening Portuguese colonial rule and increasing the influence of the People’s Republic of China (PRC) and local Maoists in Macau. In an attempt to counter the image-damage caused by the incident and legitimise Portuguese sovereignty in the territory during what was its worst crisis in the post-war period, Portuguese official discourse and these films came to promote Macau as a site of ‘miraculous’ development and modernisation that had as its basis Luso-Chinese partnership. Furthermore, Macau was advocated as an exemplary case of good neighbourhood policy towards the PRC and of coexistence at all levels, particularly ethnically and politically. This, it was suggested, made it a unique place and a model for the world in a time of cold war.
Ana Catarina Almeida Leite (Fri,) studied this question.