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Literature analysis reveals a shift in Western museums towards inclusivity and participatory spaces, indicating tensions with institutional authority.
Western museums have long been regarded as carriers and symbols of knowledge and national identity, and they are also entrusted with greater expectations in nowadays. With the societal trends toward democratization, diversity, and inclusivity, Western museums are undergoing a significant and profound transformation. This transformation has compelled museums to redefine the relationship between cultural institutions and the public within the context of public engagement. This essay primarily employs literature analysis and case studies to examine the reasons behind the transformation of Western museums, the changes brought about by this transformation, and critically analyze its successes and limitations. This research indicates that while Western museums are transitioning from collection-centered cultural institutions to participatory public spaces, this transformation resembles an ongoing process of negotiation rather than genuine democratization. To some extent, it indirectly reveals the persistent tension between the authority of cultural institutions and the public.
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Owen Xingjian Zhang (2025) studied this question.
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