This article examines writing through objects to enhance creativity and understanding of nonhuman influence in literature.
This article examines how concepts of relationality and nonhuman agency can inform processes of writing with material objects, and the teaching of this through object-based learning. Bringing together self-reflexive and emotionally attuned approaches from life writing, the tactile and sensory focus of object-based learning, and notions of material vitality, object-led writing is a practice guided by the more-than-human. The structure for this practice is based on a class teaching creative writing with objects in a university museum, using objects from the collection. It establishes a framework for object-led writing through a set of cumulative strategies: description, feeling, knowing, time and chance. These strategies attune writers to the lively potential of objects beyond their associations with humans. They form a guide for teaching creative writing with objects as well as for experimenting with object-led writing and for understanding the potential for nonhuman life to shape and direct literary work.
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Vanessa Berry (2026) studied this question.
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