This analysis examines cultural production in Black aesthetics, highlighting its role in world-making during ongoing freedom movements.
Recent works in Black aesthetic and cultural production build on legacies of Black feminisms as they seek to ever-expand scholarly theories and accounts of multifaceted Black life. The four books considered here assemble sites and model methods that bring new dimensions to how performance studies might understand historical and ongoing freedom dreams and the field’s reenergized commitment to understanding aesthetic and cultural production as world-making.
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Ariel Nereson (2025) studied this question.
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