This analysis explores theatrical expression in experimental theatre, highlighting key playwrights and directors.
The “experimental” playwrights of continental Europe have been experimental not because they have imitated modern literature or poetry, but because they have sought to express themselves in theatrical terms, and the great directors, like Jouvet, Barrault, Viertel, and Brecht have been there to make their plays “exist” on the stage.
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Miguel Escobar Varela (2023) studied this question.
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