This essay examines Robert Wedderburn’s exploration of Black agency in Jamaica, highlighting the interplay of informal economies and authorship.
Author and orator Robert Wedderburn attributes his ideals of collective resistance to his grandmother, a Kingston higgler; his rebellious enslaved mother; and his Maroon-identified half-sister. Challenging the institutions of slavery and print culture, Wedderburn's The Axe Laid to the Root, The Horrors of Slavery , and "An Address to Lord Brougham and Vaux" register the intersections of higglering, marronage, and Afro-British authorship, advancing a gendered and vernacular vision of Black agency. This essay conceptualizes Wedderburn's "Black marketplace of ideas" to interrogate so-called free-market values, invoking both the unrespectability of informal economies and the anarchic vitality of the Jamaican street market.
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Frances R. Botkin (2025) studied this question.
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