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The aim is to explore how removing the producer from art shifts its definition to an event experienced by the observer.

February 8, 2026Open Access

Completing Gombrich's Move after Duchamp - Toward a Relational Geometry of Art

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The aim is to explore how removing the producer from art shifts its definition to an event experienced by the observer.
Analyzing nineteenth and twentieth-century aesthetics
Examining the philosophical implications of Duchamp and Gombrich's work
Investigating the role of institutions like galleries and academies in defining art
Uncovering art as an event rather than a static object or producer-driven concept
Highlighting the role of observer engagement as central to artistic experience
Suggesting that institutions may struggle with this new definition due to their traditional gatekeeping roles

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A conceptual framework redefines art as observer-driven, challenging traditional art institutions' roles.

dietwald claus (2026) studied this question.

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