This analysis examines the cultural memory of Theognis’ poetry in ancient Athens, highlighting its preservation practices.
This paper seeks to determine how the oral tradition associated with the name of Theognis, retained in a collection known as the Corpus Theognideum , has been stabilized through its text. As a starting point, following Luigi Enrico Rossi’s observations, I assume that the survival of a given poetic work in antiquity was strictly dependent on the patronage and protection of a selected institution or a social group that, for whatever reason, was particularly keen on its preservation. Applying the perspective of the sociology of poetry’s reception and transmission, I attempt to show that the protection and maintenance of the Theognidean tradition in the classical period may thus be understood as a cultural memory practice, closely related to an elitist and oligarchic identity and the socio-political situation in the Athens of that time.
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Jan Skarbek-Kazanecki (2026) studied this question.
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