Abstract What counts as a human and as a proper human life has been a lifelong preoccupation of our species. Today it is digitalism, technology, and AI triggering renewed nightmares and hopeful dreams around being human. Through an examination of Samantha Schweblin’s novel “Little Eyes” (Kentukis in the original), I show how humanities are crucial to (i) keep track of what is new and old in these shifts and (ii) maintain a vigorous public sphere that is qualitatively different from gamified individual and social relations. The result is the defense of an idea of public life that stands beyond our individual private desires, marking a stark contrast with a vision of society in which we relate to others and the public as we would to toys we play with.
Guilherme Vasconcelos Vilaça (Thu,) studied this question.