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This article examines vengeance in the context of Black women’s trauma, highlighting a blend of horror and Blaxploitation in cinema.
This article examines Krystin Ver Linden’s 2022 film Alice as a fusion of plantation horror and Blaxploitation genres that attempts to navigate the complex terrain of depicting Black women’s trauma and resistance on-screen. Drawing on the true story of Mae Louise Miller, who escaped modern-day enslavement in the 1960s, Alice employs a palimpsestic approach to temporality, layering the nineteenth-century plantation with 1970s Blaxploitation tropes. The analysis explores how the film utilizes Blaxploitation, particularly Pam Grier’s iconic performances, as a cinematic language to portray Black women’s righteous vengeance against historical and ongoing brutality.
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