This essay examines the impact of classical myth on historiography in New Zealand, suggesting significant cultural implications.
This essay examines six depictions of the 1898 suicide of New Zealand businessman and politician William Larnach: four historical narratives and two dramatic/fictional depictions. Drawing on the insights of postmodern historiographers like Hayden White, I argue that these tellings reflect an increasing influence of the Hippolytus myth, a culturally authorized narrative rooted in traditional British colonial education structures and Antipodean reception of classics. In particular, as New Zealand shifted away from British identification to a distinctly Kiwi identity, classics legitimized New Zealand culture within a global north from which the Antipodean nation is geographically isolated. Analyzing depictions of Larnach’s death and the possible incestuous scandal leading up to it reveals important historiographic insights both into how history is conceptualized and emplotted and into how Antipodean cultures navigate their positions on the fringes of a larger global north primarily seated in Europe and North America.
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Phillip Zapkin (2026) studied this question.
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