Abstract Set within an archaeology lab in Dunedin, Aotearoa, this creative non‐fiction piece traces the search for dwelling through the meticulous, repetitive labor of everyday practice. The narrative finds belonging not as a static identity, but as a continuous, tactile engagement with the material world. By drifting between winters in the Southern and Northern Hemispheres, the story weaves together the sorting of ancient middens with a memory of London's contested urban spaces—where a graffiti‐covered bridge and a tented sanctuary challenge the boundaries between public architecture and private survival. Through this grounding of sensory reflections in the physical act of sorting, the work unfolds the broader human struggle to find permanence in a transient world, and suggests how the act of creating order from debris might serve as a universal strategy for re‐rooting oneself within the river of time. Ultimately, the narrative transforms the intimate labor of an individual into a lens for exploring the ways we might find and inhabit a sense of belonging amidst the displacement and chilly isolation of modern life.
Orlan Yuan Syshui (Tue,) studied this question.