This analysis investigates theatre's role as a workplace, examining its economic relationship with capitalist production.
That theatre is a place of work seems beyond debate. But what kind of workplace is it? And under what conditions does theatre conform to a capitalist production process? At first glance these questions may seem obviously, even inextricably, linked; but investigating theatre as somewhere people go to work is a far different enterprise than specifying its economic connection to capital.
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Michael Shane Boyle (2017) studied this question.