This study argues that analysing Islamic geometric art requires a deep understanding of the patterns’ cultural origins and challenges tied to specific societal needs. In particular, Marīnid zillīj patterns highlight the dynasty’s search for power legitimacy, fostering an intellectual environment harmonising Mālikī law and Sufi mysticism, ẓāhir and bāṭin. Through decolonial and geometric analyses, I propose moving beyond colonial and Orientalist categories to fully appreciate each unique geometric pattern within its original cultural and symbolic context.
María Antonieta Emparán Fernández (Wed,) studied this question.