Examines how Chinese artistic models influenced Timurid art in Herat and Samarkand through cultural exchanges.
This paper examines how visual models of Chinese origin entered the Timurid artistic system through fifteenth-century Silk Road exchanges and how they were subsequently redefined within the local artistic tradition. The scope centers on the major cultural centers of Herat and Samarkand, focusing on two media where t
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Shakhlo Bakhrieva (2026) studied this question.
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