In response to the demands of rule-of-law development and cultural communication, legal-themed films in China's New Era have undergone significant innovation. They can be classified into three predominant types: courtroom-centered narratives, law enforcement documentaries, and social issue-driven narratives. These films engage with public concerns, balance legal principles with human emotions, and incorporate diverse genre elements. By situating individual fates within broader social conflicts, they reflect collaborative governance among multiple actors. The underlying value foundation has also evolved from an instrumental view of the "legal system" to a systemic conception of the "rule of law," with growing emphasis on legislative refinement and judicial dynamism. This evolution is driven by advances in national legal capacity, shifting audience expectations, and evolving creative approaches. These films not only construct a distinctive legal-cultural identity but also foster a rule-of-law consensus through cinematic storytelling, serving as a cultural mirror of China's legal progress.
Lian Yuqi (Wed,) studied this question.