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The article aims to reinterpret Nietzsche's philosophy by exploring the connections between his concepts and their performative aspects.

Ontology as Performance: Nietzsche's Legacy as a Challenge to Thought

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The article aims to reinterpret Nietzsche's philosophy by exploring the connections between his concepts and their performative aspects.
Conduct immanent critique of the 'will to power', identifying key contradictions.
Analyze the strategic role of 'will to power' in addressing nihilism.
Deconstruct self-referential aporias like perspectivism's paradox.
Synthesize findings to view Nietzsche's philosophy as a holistic performative act.
Contradictions in the 'will to power' serve a teleological purpose in Nietzsche's project.
Self-reference aporias shift focus to the existential significance of his teachings.
Nietzsche is proposed as a 'philadox', emphasizing his life and descent into madness as part of his thought.
His legacy centers around a performative ontology rather than a static doctrine.

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This analysis reinterprets Nietzsche's philosophy, revealing a performative ontology that invites questioning, highlighting its cultural critique.

Denis Ushakov (2026) studied this question.

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This analysis reinterprets Nietzsche's philosophy, revealing a performative ontology that invites questioning, highlighting its cultural critique.