Artistic series explores racial impersonation and its impact on black geography in Colombia, suggesting deeper cultural insights.
The blackface photographic series Negro utópico (2001) by the Afro-Colombian artist Liliana Angulo underscores the role of racial impersonation in the enunciation of a black geography amid Colombia’s turn toward multiculturalism. Negro utópico is embroiled in an act of Black place-making as part of Viaje sin Mapa , the first art exhibit focused on blackness in Colombian art.
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