This article examines Gore-Booth’s advocacy for heterosexual celibacy, suggesting its potential to challenge gender norms.
Eva Gore-Booth (1870–1926) was a significant contributor to the Celtic Literary Revival at the turn of the twentieth century; however, her literature differed immensely from that of her male counterparts. Gore-Booth’s writings had a prevailing feminist message, while her later works were manifestly concerned with the study of sexuality and the deconstruction of gender. Gore-Booth’s literature remained vastly overlooked and undervalued until recent times. In the twenty-first century, her poetry and plays are experiencing somewhat of a resurgence. Amid Gore-Booth’s modest literary revival, this article examines her writings from a fresh perspective. Tracing Gore-Booth’s social reform work and later devotion to the New Age religion of Theosophy, it is evident that her writings increasingly endorsed celibacy. This article will highlight how Gore-Booth advocated for celibacy as a radical practice with the potential to dismantle the social construction of gender and of presumed heterosexuality. Notably, Gore-Booth only advocated for heterosexual celibacy, placing same-sex relationships as the ideal, especially lesbian partnerships. This research centers on readings of Gore-Booth’s lesser-known writings including a neglected play Fiametta, her theological writings and the journal Urania which clearly express her revolutionary ideas.
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Sonja Tiernan (2026) studied this question.
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