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Theatrical adaptation reveals family dynamics in Purcărete's playful reimagining of Hamlet, suggesting new interpretations.
In 2023, Silviu Purcărete engaged with William Shakespeare's Hamlet at the National Theatre in Bucharest through the mediation of a Romanian adaptation, Radu F. Alexandru's Gertrude (2012). In Purcărete's vision, Elsinore appeared as a burlesque, corrupt yet playful universe where a family drama unfolded under the eyes of a voyeuristic spectator. This article argues that by multiplying its self-conscious theatrical devices the production also reflected on the status of the adaptation, as a mediated, fragmented access to the work, mirroring the director's puzzlement with Shakespeare's tragedy.
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Dana Monah (2026) studied this question.
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