Comparative analysis reveals shifts in traditional fabric design across various cultures, suggesting evolving aesthetic values.
This article analyzes the changes occurring in the design of traditional ikat fabrics in a global context based on color, technique, and cultural-semantic aspects. The research objects selected are India's Patola, Malaysia's Pua Kumbu, Indonesia's Geringsing, Japan's Kasuri, and Uzbekistan's Atla
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Mahliyo Xoliqova (2026) studied this question.
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