This article explores the meanings of John Keats’s short-lived trip across the Irish sea in the summer of 1818. His encounters with Scottish and Irish coasts were shaped by a rapidly changing travel infrastructure, including roads, bridges, and harbours. They also resulted in a remarkably vivid description of an impoverished Irish woman whose body and presence challenge romantic aesthetics while also calling up a more contingent, watery Romanticism.
Claire Connolly (Sat,) studied this question.
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