Abstract The Laboratorio Digital de Música (LADIM), or Digital Music Laboratory, is located at the heart of Universidad Simón Bolívar as part of several other experimental laboratories (e.g., computational mechanics, cellular biology or nuclear physics). It has played a leading role in the curation and performance of electroacoustic and technology-mediated music at the most prestigious international festivals of contemporary music held in Venezuela (such as the Latin American Music Festival 2004–2016, and Atempo 2006). Furthermore, it has organised independent concerts and events, trained composers and musicians, produced a discreet body of literature and collaborated with institutions like the Society of Electroacoustic Music in Sweden (SEAMS) and the Center for Computer Research in Music and Acoustics (CCRMA, Stanford). Throughout its 21-year history, LADIM has been a central figure shaping the contemporary music landscape of Venezuela’s 21st-century scene. Despite its repertoire amounting to 75 electroacoustic works, encompassing acousmatic, mixed, video and live-electronics pieces, the laboratory has not yet established a formal archive. This article represents the first effort to reconstruct its historical milestones, while identifying the repertoire collection linked to it for the purpose of a future systematic study.
Quintero et al. (Tue,) studied this question.