This essay analyzes the connections between Chartist poetry and modern academic scholarship, suggesting insights into activism and pedagogical challenges.
This essay draws connections between what might seem like two very different bodies of writing: Chartist poetry and modern academic scholarship produced by those who lack support or incentives for research, especially non-tenure-track faculty. In many respects, it is an apples-to-oranges comparison, but it illuminates questions about the relationship between pedagogical work, political work, and creative work that reverberate through higher education today. I start by observing that the unremunerated and extracurricular writing characteristic of Chartist poetry is increasingly the norm for academic scholarship as well. I then turn to the life and writings of Ernest Jones (1819–69), a major Chartist political leader and poet and a complex figure with unique affordances for imagining solidarity today. After meditating on how Jones’s declining class status parallels the recent trajectory of faculty work, I argue that Jones usefully models a way to find the self in the collective and to combine activism with creative expression. In the final sections, I return to a reflection on connections between the material circumstances under which knowledge of Chartism is produced and the Chartist poetic and political project. Considering the parlous state of higher education today, I emphasize the political impotence of scholarly writing and the necessity of collective action.
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Ruth M. McAdams (2025) studied this question.
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