Música en las Cortes Ibéricas (1700–1834): Ceremonial, Artes del Espectáculo y Representación del Poder Cristina Fernandes and Judith Ortega, eds Madrid: Sociedad Española de Musicología, 2023 pp. 619, isbn 978 8 419 91100 1

Luisa Morales

doi:10.1017/s1478570625100602

March 1, 2026Eighteenth Century Music

Música en las Cortes Ibéricas (1700–1834): Ceremonial, Artes del Espectáculo y Representación del Poder Cristina Fernandes and Judith Ortega, eds Madrid: Sociedad Española de Musicología, 2023 pp. 619, isbn 978 8 419 91100 1

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Key Points

The aim is to examine the intertwining of music, ceremony, and power in Iberian courts between 1700 and 1834.
Compilation of scholarly essays
Analysis of historical music practices
Exploration of ceremonial contexts
Identification of music's role in reinforcing power dynamics
Insights into ceremonial music's impact on cultural identity
Discussion on the evolution of spectacle in royal courts

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Implication

This volume explores the role of music in ceremonial functions and power representation in Iberian courts, highlighting significant cultural insights.

Abstract

Música en las Cortes Ibéricas (1700–1834): Ceremonial, Artes del Espectáculo y Representación del Poder Cristina Fernandes and Judith Ortega, eds Madrid: Sociedad Española de Musicología, 2023 pp. 619, isbn 978 8 419 91100 1 - Volume 23 Issue 1

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Luisa Morales (2026) studied this question.

synapsesocial.com/papers/69cf5f305a333a821460e2e6 https://doi.org/10.1017/s1478570625100602

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Música en las Cortes Ibéricas (1700–1834): Ceremonial, Artes del Espectáculo y Representación del Poder Cristina Fernandes and Judith Ortega, eds Madrid: Sociedad Española de Musicología, 2023 pp. 619, isbn 978 8 419 91100 1

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Música en las Cortes Ibéricas (1700–1834): Ceremonial, Artes del Espectáculo y Representación del Poder Cristina Fernandes and Judith Ortega, eds Madrid: Sociedad Española de Musicología, 2023 pp. 619, isbn 978 8 419 91100 1

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