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The research examines the contrasting visions of theatre by Tairov and Meyerhold following the Russian Revolution.

P erformance as P olemic : T airov’s 1920 P rincess B rambilla at the M oscow K amerny T heatre

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The research examines the contrasting visions of theatre by Tairov and Meyerhold following the Russian Revolution.
Analyzed historical texts and criticisms of Tairov and Meyerhold
Explored influences of cubism and futurism in staging
Investigated the socio-political context of theatre post-Revolution
Tairov advocated for art that expresses universal truths, unlike Meyerhold's focus on revolutionary propagandism.
Meyerhold's vision included radical forms such as cubism and futurism in theatre productions.
The conflict between the directors exemplifies broader artistic debates during the post-Revolutionary era.

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Analysis highlights the conflict between Tairov and Meyerhold over theatre's role post-Revolution, suggesting artistic autonomy's significance.

Dassia N. Posner (2010) studied this question.

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Analysis highlights the conflict between Tairov and Meyerhold over theatre's role post-Revolution, suggesting artistic autonomy's significance.