This article investigates artist-led innovation in contemporary opera, suggesting significant impacts on artistic transformation.
This article examines singer-led innovation in contemporary opera through the work of Babatunde Akinboboye and Teiya Kasahara, foregrounding how performer agency and identity drive artistic transformation. Drawing on interviews with each singer, it argues that innovation for these artists emerges from a blending of cultural inheritance and embodied experience. By tracing musical hybridity, devised theater practices, and alternative modes of audience engagement, the paper
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Zipporah Peddle (2026) studied this question.
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