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May 30, 2025Open Access

Exploring the Boundaries of Home and Identity: Gender Performance in Emma Donoghue's "Onward" and "The Long Way Home”

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Key Points

This thesis aims to explore gender performance and identity in Emma Donoghue's works.
Analyzes character portrayals in 'Onward' and 'The Long Way Home'
Examines cultural contexts of gender identity
Investigates themes of societal expectations and personal identity
Identifies diverse expressions of gender among characters
Reveals how societal views influence identity perceptions
Highlights common traits among characters despite differing gender performances

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Implication

Thesis examines gender performance in two stories by Emma Donoghue, highlighting identity in social contexts.

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Cite This Study

Leslie A. Rice (2025) studied this question.

synapsesocial.com/papers/69e470e9010ef96374d8dac8 https://doi.org/10.14434/grj.v15i1.41691

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Synapse has enriched 5 closely related papers on similar clinical questions. Consider them for comparative context:

1Resisting Gender Norms in Exit West: A Study of Performativity and Doing Gender through Judith Butler and West & Zimmerman2025
2“Or am I seeking home?”: Arrivals, Departures, and/or Returns as Identity-Shaping Experiences in Contemporary (Non-)Irish Women’s Literature2025
3The Self Question in Woolf and Deshpande Women: Gender Performances Through the Lens of Goffman’s Dramaturgy2024
4Negotiating Patriarchy in Transit: Gendered Subjectivities in Mohsin Hamid's Exit West and Monica Ali's Brick LaneOriginal Research · 2026
5Crossing Borders, Breaking Barriers2025

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