Abstract This article offers an overview of the statuary dedicated to Cavour erected in Italy during the first 50 years after unification (1861–1915), focusing on the most significant cases. Promoted by moderate circles close to the former prime minister, the construction of public monuments to the so-called ‘‘weaver of unification’’ responded to the requirements of patriotic education. Pursuing a policy of unveiling monuments throughout central and northern Italy, liberal elites sought to strengthen the population’s sense of national identity, while simultaneously promoting the memory and myth of Cavour as a founder of the unified state, champion of liberty and master diplomat. This was no easy task, given Cavour’s limited popularity, and it involved citizens’ committees, mayors, and accomplished artists in an effort to establish an effective and enduring iconographic model.
Giovanni Battista Boggione (Mon,) studied this question.