The Origins of Lu Xun’s Visual Epistemology and the Emergence of Cinematic Sensibility

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Key Points

The aim is to explore the origins and aspects of Lu Xun's visual epistemology through his scientific experiences.
Analyzed Lu Xun's geological and scientific works, including 'Chinese Geological Treatise' and 'Chinese Mines'
Examined the influence of his medical studies on his visual perception insights
Investigated the cinematic implications of Lu Xun's writings and critical responses
Identified Lu Xun's visual recognition as foundationally rooted in scientific analysis and media experience
Demonstrated his ability to construct a multi-layered visual narrative through cinema
Revealed his critique of modern visual power and media violence in his literary practices

This analysis examines Lu Xun's visual perception origins, integrating scientific experiences with cinematographic insights.

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XIANGQING SONG (2026) studied this question.

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