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Investigates archetypal patterns in drawings of children affected by civil war, highlighting trauma responses.
Projective drawings are widely used in trauma-informed child assessment as non-verbal pathways into internal emotional states, particularly in contexts where verbal expression is limited. This paper synthesizes archetypal patterns observed in drawings by three children exposed to civil unrest in Myanmar, including the Fragmented Self, Hypervigilant Watcher, Absent Figure, Fortress, Aggressor, Displaced Journey, Silent Landscape, Protector Figure, Chaotic Scene, and Frozen Moment. Drawing on principles from Dialogic-Diagnostic Arts Therapies and Traumatized Behavioral Therapy (incorporating Trauma Psychology), the paper situates ten key archetypes within trauma responses, such as dissociation, hyperarousal, grief, and resilience. Emphasis is placed on culturally responsive and ethically grounded interpretation, cautioning against over-pathologizing imagery that may reflect lived realities of conflict, particularly within the context of the Myanmar civil war. The paper advocates for integrative assessment approaches combining visual analysis with narrative elicitation and developmental understanding.
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Chia et al. (2026) studied this question.
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