Article examines marked intertextuality in El Kadaoui's work, highlighting identity formation in European Muslim migrant descendants.
This article examines Saïd El Kadaoui’s Radical(es). Una reflexión sobre la identidad (2020) through the lenses of marked intertextuality and polyphony. I argue that the essay’s extensive use of citations is a central stylistic and argumentative strategy. El Kadaoui explores the complexities of identity formation among descendants of Muslim migrants in Europe by engaging in a dialogical interplay with diverse thinkers. In doing so, he constructs a hybrid textual space that both reflects and performs the multiple, fluid roots of identity he advocates. Drawing on poststructuralist and postcolonial theories, this study proposes that Radical(es) conceptualizes authorship as a work of compilation and juxtaposition of other voices. Through marked intertextuality, El Kadaoui creates an intellectual community of like-minded writers in which he seeks to position himself. Consequently, the article offers insights into the literary production of generation-1.5 authors in contemporary Catalan contexts and highlights the significance of intertextual writing within El Kadaoui’s distinctive style.
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Zahra El Morabit Sghire (2025) studied this question.
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