This presentation examines the papers of Harmony Hammond, a multidisciplinary feminist artist who mounted sustained resistance to the erasure of lesbian identity in the art world. Through interconnected strategies—including co-founding A.I.R. Gallery and the Heresies Collective, publishing Lesbian Art in America: A Contemporary History (2000), and maintaining her own creative practice—she challenged institutional exclusion on multiple fronts. Hammond's archive reveals how her scholarly interventions, institutional activism, and artistic works operated as acts of resistance against systemic marginalization.
Sarah Lerner (Mon,) studied this question.