Holography's effectiveness as a visual medium is often constrained by the variety of scenes that it can render. Here we survey progress over the past fifteen years in the synthesis of quasi-holographic images from sequences of discrete perspective views, such as photographs and X-ray images. Paralleling the development of display holograms, holographic stereograms have evolved from laser illumination to white-light illumination, with improvements in the image quality and ease of viewing.
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Stephen A. Benton (1983) studied this question.
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