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Humans across cultures show an outstanding capacity to perceive, learn, and produce musical rhythms. These skills rely on mapping the infinite space of possible rhythmic sensory inputs onto a finite set of internal rhythm categories. What are the brain processes underlying rhythm categorization? We used electroencephalography (EEG) to measure brain activity as human participants listened to a continuum of rhythmic sequences characterized by repeating patterns of two inter-onset intervals. Using frequency and representational similarity analyses, we show that brain activity does not merely track the temporal structure of rhythmic inputs, but, instead, automatically produces categorical representation of rhythms. Surprisingly, despite this automaticity, these rhythm categories do not arise in the earliest stages of the ascending auditory pathway, but show strong similarity between implicit neural and overt behavioral responses. Together, these results and methodological advances constitute a critical step towards understanding the biological roots and diversity of musical behaviors across cultures.
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Barbero et al. (2024) studied this question.
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