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Abstract Within the last decade alone different distribution platforms have emerged in the Nigerian movie industry. One of the most notable and potent among these is Netflix. Employing Disruptive Innovation Theory ( dit ) as notional scaffolding, this article uses key informant interviews ( kii ) and focus group discussions ( fgd ) to examine what Netflix’s engagement in Nollywood means in terms of the viability of other distribution outlets. It investigates the ‘good, the bad and the ugly’ sides of the Nollywood-Netflix relationship from the Nigerian audience perspective to give an understanding that can contribute to Nollywood’s healthy expansion. The study argues that the emergence of Netflix leaves many Nollywood content creators ( ncc s) begging for acceptance when their content is adjudged inconsequential. This must be creatively challenged and negotiated through ncc s and distributors using available technologies to improve production values, set up and collaboratively operate multiple online distribution platforms for the Nigerian audience’s satisfaction.
Omoera et al. (Thu,) studied this question.