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This essay presents the viral culture of videos, memes, and websites deploying the tropes of parody and satire as a newly emerging discourse of social and cultural critique on the Indian web. It situates this cultural phenomenon at the intersection of a prior tradition of heterodoxy in India as well as the globally proliferating memetic culture. The essay argues that the speech is distinguished by a logic of repetition with difference both in its parodic/satiric text as well as through its medium that allows the text to repeat at new sites creating new meanings.
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Sangeet Kumar (2015) studied this question.
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