Answers are grounded in this paper and cite their sources.
A. S. Byatt structures the visionary moments in her postmodern historiographic metafiction, Possession , to be exemplary models of a Wordsworthian, rather than Shelleyan, view of transcendence, with many of her scenes including an undercurrent of the Freudian psychoanalytic session. Byatt's postmodern construct extends Romantic visionary moments beyond the scope of characters to the reader and illustrates that a postmodern frame will likely always fit more naturally with a Wordsworthian, rather than Shelleyan, understanding of transcendence.
No takes yet. Share an insight, caveat, or question.
Lindsey Barlow (2025) studied this question.
Synapse has enriched 10 related papers. Consider them for comparative context: