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The purpose of the article is to present several topics in Russian music of the Soviet era (roughly 1920-1990).The time that has passed since the fall of the Iron Curtain allows us to rethink and revise the cultural treasures of seven decades and reassess new research of the last decade, carried out both by people who previously gained a reputation as an authority in Soviet culture, and by scientists who came from this environment and began sharing their vision of the subject after acquiring the skills of a Western scholar.The article is based mainly on the latter research and tries to see its subject as a complete picture, albeit with missing details, so to speak, a postmodern picture that requires the reader to participate in its refinement.The methodological basis of this study is working with published sources through the critical lens of cultural anthropology as it has developed and presently looks.
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Faura Lechs (2024) studied this question.
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