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May 22, 2026Studies in English Literature 1500-1900

Anger, Femininity, and Lyric Poetry in Late Ming China

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Implication

This essay explores how women's expressions of anger in poetry reshape femininity during late Ming China, suggesting shifts in emotional norms.

Key Points

The study aims to understand how anger is portrayed in women's lyric poetry and its implications for femininity in late Ming China.
Analysis of the concept of anger within the context of gender norms in dynastic China.
Examination of literary and aesthetic traditions affecting women's poetry.
Investigation of representations of anger in women's poetry from the late Ming period.
Discussions reveal that anger is largely absent in historical portrayals of women's poetry.
The absence is linked to strict gender norms and emotional regulation practices.
Changes in social discourses in the late Ming period allow for more visible expressions of anger in women's poetry.

Cite This Study

Haihong Yang (2026) studied this question.

synapsesocial.com/papers/6a0ff327d674f7c03778ba8a https://doi.org/10.1353/sel.2026.a990193

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Also Consider

Synapse has enriched 5 closely related papers on similar clinical questions. Consider them for comparative context:

1Introduction: Early Modern Women and Anger2026
2Diagnosing, Misdiagnosing, and Rediagnosing Women’s Anger in the Jin Ping Mei2025
3For the Love of Writing: Song Lyrics Featuring Literary Activities by Shen Cai (1752–?)2026
4My Friend, Anger: Musings2026
5Poetic Archaism and Lyric Tradition in Ming Theories of Poetry: Readings on Zhou Xu, Xu Zhenqing and T’ang Shunzhi2025