Reassembling Tradition: Performative Adaptation as Religious Creativity in the Sino-Vietnamese Borderlands

Contemporary studies of religious modernity tend to view faith systems as static traditions that resist secularization. Although it has recently been acknowledged that local religions may be resilient, scholars often overlook the internal creativity of action that enables such faiths to actively navigate secular constraints. To address this gap, this study investigates a shamanistic folk religion, the Moed faith, to answer a critical question: How can a marginalized religious system innovate to survive within a strict secular order without compromising its spiritual principles? This paper proposes Performative Adaptation as a mechanism of religious creativity by combining historical analysis and ethnographic data through the lens of Actor-Network Theory. It argues that the Moed faith reassembles itself as a dynamic ritual-art continuum rather than remaining a fixed entity. The findings reveal that practitioners actively separate ritual form from function, transforming sacred exorcism chants into the secular performing art of Modlaenz to secure Intangible Cultural Heritage status. Furthermore, this adaptation fosters a transnational Pan-Tai spiritual community, turning rigid geopolitical borders into zones of cultural contact. Ultimately, this research challenges the view of religion as merely a repository of tradition, demonstrating that faith systems can actively engage in institutional innovation and identity construction.