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The issue of whether viewing works of art by computer or slide is comparable to viewing original paintings was investigated by having visitors to The Metropolitan Museum of Art view works in these three formats and having them rate the works on measures of physical and structural characteristics, novelty of content, and aesthetic qualities. Only four of the sixteen evaluative ratings showed statistically significant results among groups, typically with viewers of the original works differing from viewers in the slide and computer formats. Correlational and factor analyses provided additional support for a notion of “pictorial sameness” for artworks viewed in the three formats. The results are examined in light of Currie's (1985) transferability thesis and the concept of “facsimile accommodation” developed by the authors.
Locher et al. (Thu,) studied this question.