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This visual essay and explanatory text presents my practice-led research focusing on two works by medieval author Christine de Pizan. Conflating the act of writing a book – a thesis against institutional misogyny – with the construction of an imaginary city, the first work, The Book of the City of Ladies, 1405, has been seen as a proto-feminist manifesto. I focus on the under-researched architectural and urban allegory depicted in the text, which imagines a utopia inhabited solely by women and constructed for them by a woman and on the manuscript's accompanying illuminations displaying three different stages of the construction of the city. Inspired by Aristotle’s Politics and revisiting the ancient Greek metaphor, by which a state or society and its institutions are conceived of as a biological human body, in The Book of the Body Politic, 1404, de Pizan offers her version of a medieval political theory, which I connect with her allegorical city.
Penelope Haralambidou (Thu,) studied this question.