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This essay reveals how miniatures redefine spatial perception, suggesting new architectural paradigms.
Miniatures do not simply reduce scale—they generate alternate temporal and perceptual regimes that anticipate how we now inhabit digital space. Their scenographic logic flattens distinctions between architecture and entourage, compressing duration into private time bubbles and collapses haptic intimacy with optic distance. This condition operates through the same logics as windowed interfaces, smartphone screens, and augmented reality. What architectural theory once dismissed has become the fundamental condition of contemporary spatial production. Tracing miniaturization from full-scale composite urbanism through scaled models to life-sized reconstructions, this essay reveals how architecture has absorbed the logic of zooming, resolution, and ontological montage—operations that now define how we navigate environments assembled from appropriated fragments through incompatible scales and temporalities.
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Bako et al. (2026) studied this question.
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