This article summarizes the historical traces of the development of Chinese piano culture through the study of historical materials of Chinese piano culture and studies the phased characteristics of Chinese piano culture in different periods. It explores the changes in the development of Chinese piano culture in modern times, mainly including the early stages of its formation. The analysis of the prosperity, innovative development, and exploration stages experienced in the early stages of the development of Chinese piano culture, as well as the expression of folk songs in traditional ethnic culture, showcases the integration process of piano and folk songs. This article takes Sang Tong as an example to analyze the characteristics of his piano works in different periods, reflecting the historical path of the nationalization development of piano music.
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Qiu et al. (2024) studied this question.