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Studies of Cuban rap have focused on issues of race and resistance, but have paid less attention to hip hop as urban discourse and practice. Through a combination of ethnographic study of Havana's “underground” rap scene and textual analysis, this article explores rap as a response to recent changes in the physical and social fabric of the Cuban capital and to the opportunities and restrictions of life in a late socialist city.
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Geoff Baker (2006) studied this question.
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