Music Theory and the Exploration of the Past

Introduction Christopher Hatch and David W. Bernstein 1 Music Theory and Its Histories Thomas Christensen 2 Earliest Phases of Measured Polyphony Ernest H. Sanders 3 Modal Strategies in Okeghem's Missa Cuiusvis Toni Leeman L. Perkins 4 Finding the Soggetto in Willaert's Free Imitative Counterpoint: A Step in Modal Analysis Benito V. Rivera 5 Mode and Counterpoint Peter N. Schubert 6 Cavalier Ercole Bottrigari and His Brickbats: Prolegomena to the Defense of Don Nicola Vicentino against Messer Gandolfo Sigonio Maria Rika Maniates 7 Theory as Polemic: Mutio Effrem's Censure . . . sopra il sesto libro de madrigali de Marco da Galiano Edmond Strainchamps 8 Place of Aesthetics in Theoretical Treatises on Music Edward A. Lippman 9 Chromaticism in Classical Music James M. Baker 10 Momigny's Type de la Musique and a Treatise in the Making Ian Bent 11 Normality and Disruption in Beethoven's Bagatelle Op. 119, No. 8 Christopher Hatch 12 Coda as Culmination: First Movement of the Eroica Symphony Robert P. Morgan 13 Symmetry and Symmetrical Inversion in Turn-of-the-Century Theory and Practice David W. Bernstein 14 Schoenberg and Goethe: Organicism and Analysis Severine Neff 15 Contrapuntal Combination: Schoenberg's Old Hat P. Murray Dineen 16 New Education and Music Theory, 1900-1925 Lee A. Rothfarb 17 Harmony as a Determinant of Structure in Webern's Variations for Orchestra Graham H. Phipps 18 The Fantasy Can Be Critically Examined: Composition and Theory in the Thought of Stefan Wolpe Austin Clarkson 19 Traditions Revisited: Stravinsky's Requiem Canticles as Russian Music Richard Taruskin